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Saturday, November 29, 2008
Guard dog on duty
Friday, November 28, 2008
I've done a bit of tidying up
Not in my house,(although my partner would dearly love to see that happen) but here, at blogger. I originally thought I would post each story I published in it's own separate blog, but today I got to thinking, I intend to post as many short stories as I possibly can, so that would mean, many many individual blogs to manage... well, I'm hoping it would mean that :). Anyway, today I decided to create just one blog for my stories. I posted 'Molten Lava' and 'Making it Right' in my new blog,'Out of My Head'. My apologies to anyone who wrote a comment or clicked on the little reactions thingie. Believe me, deleting those was one of the hardest things I've ever done. :(
Wednesday, November 26, 2008
Should I stay, or should I go?
What is a paragraph, anyway?
Over this last little while, while editing my stories, I've noticed that I tend to write very short paragraphs, and that has given me cause to question whether or not I actually know what a paragraph is. Generally I just wing it. I have this idea in my head that a sentence is a complete thought that can exist on it's own, and a paragraph is a collection of thoughts that all work together to create a single concept, or in fiction, a separate scene, or scene element.
The thing is, paragraphs are all suppose to connect to make a story, and each paragraph is meant to be connected somehow by a thought, so it's difficult to judge sometimes where you should break your paragraph and begin the next.
I make those breaks whenever my narrative interrupts the flow of the story, or when my writing takes a time leap over a bit of uninteresting or irrelevant facts that would have no bearing on the story. And of course, I break for dialog, separating each person speaking. Often though, because of my self imposed rules, I end up with a lot of single sentence paragraphs, and I'm wondering if that is correct, and if I shouldn't try to flush out the thought more.
Can a single sentence be a paragraph? Does having too many short paragraphs in a story make that story seem choppy, and would my writing improve if I tried to flush out those short paragraphs more? I've been trying to find a more accurate description of what a paragraph is suppose to be, but so far, I haven't found anything in the books that I have or online. I remember seeing notes on stories or essays I wrote in school, where the teacher wrote something like, "this thought should be a separate paragraph", but how did the teacher know that herself? Do we all just wing it based on that simple rule that a paragraph is a self existing concept?
The thing is, paragraphs are all suppose to connect to make a story, and each paragraph is meant to be connected somehow by a thought, so it's difficult to judge sometimes where you should break your paragraph and begin the next.
I make those breaks whenever my narrative interrupts the flow of the story, or when my writing takes a time leap over a bit of uninteresting or irrelevant facts that would have no bearing on the story. And of course, I break for dialog, separating each person speaking. Often though, because of my self imposed rules, I end up with a lot of single sentence paragraphs, and I'm wondering if that is correct, and if I shouldn't try to flush out the thought more.
Can a single sentence be a paragraph? Does having too many short paragraphs in a story make that story seem choppy, and would my writing improve if I tried to flush out those short paragraphs more? I've been trying to find a more accurate description of what a paragraph is suppose to be, but so far, I haven't found anything in the books that I have or online. I remember seeing notes on stories or essays I wrote in school, where the teacher wrote something like, "this thought should be a separate paragraph", but how did the teacher know that herself? Do we all just wing it based on that simple rule that a paragraph is a self existing concept?
Monday, November 24, 2008
Making it Right
Today I decided to share a short story that I just finished writing. It is not a feel good story, but it's a true story, true because there are so many people out there who have grown up in much less than ideal circumstances, and for many, it takes a life time to put that past behind them. People need to hear these stories; for those who lived through such things, so they know they are not alone, and they are not to blame, and for the rest, so that they might come to know and understand.
The story is called 'Making it Right' and you'll find the link to it, on the right, under the heading, 'My Stories'.
The story is called 'Making it Right' and you'll find the link to it, on the right, under the heading, 'My Stories'.
Saturday, November 22, 2008
While sitting near the top of a very tall tree
I think I was around ten years old when I finally understood what death meant. Someone in our family, I don't remember who, died. We all got dressed up and went to the funeral parlor, and we all lined up to look at the dead body of this relative. I remember thinking that it wasn't the person I knew anymore, but it looked like him, and that puzzled me. All the relatives were crying and consoling each other, and then we all sat down in a room that looked like a tiny church. Then a man, who didn't know the dead person, spoke wonderful things about him, even though what I had remembered overhearing about the dead man when he was alive, didn't seem like that at all.
For a long time afterward I thought about this, and then one day while I was sitting on a branch not far from the top of a very tall tree, it hit me; dead meant that you didn't exist anymore. It meant that if you had lived a bad life, you no longer had a chance to fix it, and because you couldn't, others tried very hard to remember you that way. I then looked down at the ground far below me, and I climbed down the tree with considerable more caution than I had used climbing up. Since that day I've had a fear of heights, and the older I get, the more pronounced that fear becomes.
Fizz, times two!
This is so cool, I just have to share it. We just met another dog named Fizz! My partner and I thought we were being so clever thinking up the name Fizz for our West Highland White/ Scottish Terrier pup. The name suited her well, and we thought her name would be unique. What we didn't realize was how wonderful it would be to meet another dog with the same name, and all the way from North Wales too! Thank you Ellen for dropping in and introducing yourself and your Fizz to us. Here's a link to Ellen's Fizz: http://coffeegranules.blogspot.com/2007_11_01_archive.html
Thursday, November 20, 2008
Write what you know
Today I feel like a writer again. Imagine that. Last night after spending the day swirling around in the a dark hole of self pity, I remembered a story that's been niggling at me to be written. The subject of the story is something I personally relate to, and I've been apprehensive to write something that reflected so closely my own experiences. I've always believed the advice that we should write from what we know, but I've taken that to mean something more general, like drawing bits and pieces from our life experiences and using those bits to give substance to what we create.
I stayed up until two am last night writing, and today I know how the story is going to end, I just have to get it down. Maybe staring at the lint in my navel isn't such a bad thing to do occasionally; after all, it's what I know best, and if I'm not writing from within myself, who's voice would I be using anyway?
I stayed up until two am last night writing, and today I know how the story is going to end, I just have to get it down. Maybe staring at the lint in my navel isn't such a bad thing to do occasionally; after all, it's what I know best, and if I'm not writing from within myself, who's voice would I be using anyway?
Wednesday, November 19, 2008
Reality check
Today I feel like a fake, that I shouldn't call myself a writer at all. I feel like I've been fooling everyone, or trying to, including myself. Sure, I can wax poetically about what it's like to have the soul of a writer, but I haven't a single story to tell. I've got nothing to say, nothing to write about but the lint in my own navel, and I'm getting tired of staring at it. If it's true that I love to write, then why can't I do it? Why aren't there stories all lining up inside of my head, pushing and shoving to be the first to get out? Why doesn't it just happen?
It's just me dreaming again, a story I've created in my head to give meaning to my life; well, at least that's one story.... Dreaming is easy, but making that dream a reality, now that's something completely different.
It's just me dreaming again, a story I've created in my head to give meaning to my life; well, at least that's one story.... Dreaming is easy, but making that dream a reality, now that's something completely different.
Monday, November 17, 2008
And sometimes we do everything we can to put it off
The other day I was telling a friend about how I was worried that my creativity might be born out of angst, and now that I wasn't feeling so depressed, I was afraid that I might no longer have the inspiration to create. In response, my friend told me that my creativity came from my soul, and then the next day she sent me a link to a book called, 'the Van Gogh Blues, The Creative Person's Path through Depression' written by Eric Maisel. As I read the excerpt I had tears streaming down my face. It hit a chord.
I started thinking about how writers, painters, and anyone else with an artistic temperament spend so much time gazing at our own navels. Daily we confront the question of whether or not what we do is valid, is it meaningful, is it worth our effort? Each of us has a general idea in our head of what is valid or meaningful work, and we hold that up as a goal we want to accomplish, a judgment stick that we use to measure ourselves by. When we happen to have a day, or two, when we are unable to accomplish something that forwards our goal, we get depressed, thinking we are unworthy of calling ourselves writers or artists. But we are our own worst critics. By putting judgment pressure on ourselves to perform at the high standards we hope to achieve, we are in effect stopping ourselves from achieving our own goals, and that creative slump that's got us feeling depressed only seems to become longer and longer, the more we criticize our inability.
If you think about it, what is it that we are creating anyway? For most writers, it's just a file on a computer. It doesn't have any consequences unless we decide that it has. We could spend the whole day writing gobbly gook and it wouldn't make any difference one way or the other. We'd just have to do some editing when we are more on top of our game. Writing gobbly gook is much more preferable to writing nothing at all, much better than staring at a blank page hoping for inspiration to strike and getting depressed if it doesn't. Who knows, there might be a few gems buried within our desperate ramblings, or we might just forget ourselves and lose ourselves to the creative process once more.
The thing is, we have to give ourselves the freedom to write badly, not take what we do so seriously that we can't afford to make mistakes. It's just words in a document after-all, and we can change them, or scrap them as we see fit, at any given time.
I know, I know, I'm putting off working on that story I talked about in the previous post. ... "it's just words in a document; ... It's just words in a document...."
I started thinking about how writers, painters, and anyone else with an artistic temperament spend so much time gazing at our own navels. Daily we confront the question of whether or not what we do is valid, is it meaningful, is it worth our effort? Each of us has a general idea in our head of what is valid or meaningful work, and we hold that up as a goal we want to accomplish, a judgment stick that we use to measure ourselves by. When we happen to have a day, or two, when we are unable to accomplish something that forwards our goal, we get depressed, thinking we are unworthy of calling ourselves writers or artists. But we are our own worst critics. By putting judgment pressure on ourselves to perform at the high standards we hope to achieve, we are in effect stopping ourselves from achieving our own goals, and that creative slump that's got us feeling depressed only seems to become longer and longer, the more we criticize our inability.
If you think about it, what is it that we are creating anyway? For most writers, it's just a file on a computer. It doesn't have any consequences unless we decide that it has. We could spend the whole day writing gobbly gook and it wouldn't make any difference one way or the other. We'd just have to do some editing when we are more on top of our game. Writing gobbly gook is much more preferable to writing nothing at all, much better than staring at a blank page hoping for inspiration to strike and getting depressed if it doesn't. Who knows, there might be a few gems buried within our desperate ramblings, or we might just forget ourselves and lose ourselves to the creative process once more.
The thing is, we have to give ourselves the freedom to write badly, not take what we do so seriously that we can't afford to make mistakes. It's just words in a document after-all, and we can change them, or scrap them as we see fit, at any given time.
I know, I know, I'm putting off working on that story I talked about in the previous post. ... "it's just words in a document; ... It's just words in a document...."
Sometimes writers actually write!
I'm feeling pretty good today, I'm all hyped about the equal right action happening in the states, and I'm working on a story. :) I canned this story awhile back, not knowing where it was going to go, but it's just a story, and it doesn't have to have any consequence unless I want it to. I can just have fun with it, and last night when I opened the document and fixed a bit here, and changed that bit over there, I got that familiar rush and focus. Here's the opening paragraph:
Hanna opened her eyes and stared at the ceiling. A few moments later the realization that the space in the bed next to her was empty overwhelmed her. George was gone. He had died, and she was alone. She had no reason to get out of bed, but her therapist had insisted, telling her it wasn’t good for her to just lay there all day long like that, so she got up. She went to the bathroom and sat down on the toilet, looked at the floor tiles and peed.
Hanna opened her eyes and stared at the ceiling. A few moments later the realization that the space in the bed next to her was empty overwhelmed her. George was gone. He had died, and she was alone. She had no reason to get out of bed, but her therapist had insisted, telling her it wasn’t good for her to just lay there all day long like that, so she got up. She went to the bathroom and sat down on the toilet, looked at the floor tiles and peed.
Friday, November 14, 2008
Trevor
I met Trevor in January. I was downtown, waiting for a bus, and I was taking a few photographs to pass the time, when I noticed that someone was watching me with as much interest as I was watching everyone else. After he asked me for some change, I asked him if I could take his picture and he was delighted. We talked while I photographed him, and I got to know him a bit. I made a tabblo from the photos I took, and I got a lot of compliments about how nice it was of me to have stopped and talked to a homeless man, and how I had made his day by performing that small act of kindness, but the thing is, I believe Trevor gave me something more valuable than I gave him. I'm nearly certain that the effect of the encounter faded for him, considering his day to day existence, but for me, it made a life long impression.
I think about Trevor often, and through that thinking I believe I have a better understanding of why people drop out of the system and can't find their way back in. Most people would be frightened of Trevor, afraid that he'd try to bum some money from them, and that he'd become angry and violent when they refused. They'd see the state of his clothing, smell the stink of booze on his breath, and they'd turn away in disgust. "Dirty drunken bum," so many of them would think, "I'm sure if he wanted to he could at least bathe.”
But can you imagine what that must be like for someone like Trevor, who must feel so completely powerless over their own life, having watched it slip out of their grasp, bit by bit? Can you imagine not knowing where you'd sleep that night, or where your next meal would be coming from? Can you imagine what it must feel like to be sneered at and ignored everyday, what that would do to your self-esteem? Bathing? Why bother?
If I were a Trevor, I'd be frustrated and angry, and I'd want to shout out as loud as I could, "Hey someone pay attention to me! Don't I deserve your help; don’t I deserve to be seen? And if I were a Trevor, I’d want to drink too, to deaden the sharpness of my pathetic life, and to blur the images in my head of all those faces turning away in disgust and fear.
Just before my bus came I gave Trevor a few bucks to get something to eat, but I doubt he went to McDonald's with the money.
If you'd like to get to know Trevor a bit better, follow the link to my tabblo: Trevor
And if you have an interest in humanity, as I do, open your eyes and acknowledge the homeless. You just might be surprised by how much it will change your life.
(edited for clarity)
Thursday, November 13, 2008
Can't even come up with a title for this
So far today the most profound thought I've had is why would someone want to eat bread made without flour? I bought it just to see what it was like. ... It tastes okay, but I can't figure out what keeps it together... Oh well, I guess I can't expect to be inspired if I don't do anything but sit here waiting for inspiration to strike and eating a toasted cheese sandwich, that's just not going to happen. ...I'm thinking today is a good day to go outside and rake up some leaves; at least I'll be able to sleep better tonight knowing that I've done something constructive with my day.
Wednesday, November 12, 2008
How does she do it?
Monday, November 10, 2008
Whatever road you choose
Molten Lava
I decided to share a short story that I've written, today. I hummed and hawed about doing this for quite some time, thinking that if I publish it online it might make it difficult to get it published anywhere else. But I don't think I'm ready for that yet, so feedback constructive or otherwise, would be very appreciated. Here's the link to the story: Molten Lava
Sunday, November 9, 2008
On the meaning of words
This post has been inspired by my reading the post: 'Thinking carefully about the power of words' in Annie Wicking's Blog: 'Every New Writer's Journey'. I tried a couple of times to post a comment there but kept getting a a delivery status notification failure, so I decided to post my thoughts on the subject here.
As writers I can't see how we could forget how powerful words can be; that very thing is the crux of our craft. To create a scene, to convey an emotion, to communicate a thought, we manipulate and choose the words and phrases we believe can best do the job. Amazed, surprised, astonished, flabbergasted, and shocked all have similar meanings it's true, but each expands that meaning in a slightly different direction. Amazed, I think, suggests a somewhat more pleasant experience compared to flabbergasted or shocked. And in the above sentence I used 'I think', to qualify what I had just said as a personal opinion, rather than a fact. I could have used 'I believe', but somehow that seemed to carry more weight for me than I wished to imply (beliefs being something that people hold close and dear), and I rejected using 'I suspect' because it suggested that I hadn't yet given it enough thought to commit to an opinion, either way.
I come away from reading Annie's post with a question of my own, and that is, does each word actually have a specific fixed meaning, or is it left merely to individual interpretation? If the latter is so, then how can anyone possibly account for that in their writing? If you know your craft well enough to distinguish the differing nuances of amazed and shocked, I say, trust in your ability, and never let a single word flow from you without your conscious approval.
And Annie, if you are reading this, and since you offered, I'd like a cappuccino with one percent milk with a sweetener, please! :)
As writers I can't see how we could forget how powerful words can be; that very thing is the crux of our craft. To create a scene, to convey an emotion, to communicate a thought, we manipulate and choose the words and phrases we believe can best do the job. Amazed, surprised, astonished, flabbergasted, and shocked all have similar meanings it's true, but each expands that meaning in a slightly different direction. Amazed, I think, suggests a somewhat more pleasant experience compared to flabbergasted or shocked. And in the above sentence I used 'I think', to qualify what I had just said as a personal opinion, rather than a fact. I could have used 'I believe', but somehow that seemed to carry more weight for me than I wished to imply (beliefs being something that people hold close and dear), and I rejected using 'I suspect' because it suggested that I hadn't yet given it enough thought to commit to an opinion, either way.
I come away from reading Annie's post with a question of my own, and that is, does each word actually have a specific fixed meaning, or is it left merely to individual interpretation? If the latter is so, then how can anyone possibly account for that in their writing? If you know your craft well enough to distinguish the differing nuances of amazed and shocked, I say, trust in your ability, and never let a single word flow from you without your conscious approval.
And Annie, if you are reading this, and since you offered, I'd like a cappuccino with one percent milk with a sweetener, please! :)
Saturday, November 8, 2008
Is There Anybody Out There?
It's sad to think that in a world so heavily populated as ours, there are so many of us who feel isolated and alone. Many, like myself, start writing a blog because they want a voice, but more importantly I suspect, it's because we need others to want to hear that voice.
I've been told that I wear my heart on my sleeve, that my thoughts and feelings are obvious. I don't see any point to keeping myself hidden behind a facade, either face to face, or in the written word. Life is too short, and the true connections we make are too rare to waste time basing anything on something false or shallow. Sometimes though, I think I am the only one that craves those sorts of meaningful connections. Even with the few close friends that I do have, I feel like there are limitations and conditions on what is shared, and I'm always looking for something deeper, more true, and more meaningful to begin.
I read something once, I don't remember from where, but it said that we are all born feeling the close connection of our mothers, and then spend the rest of our lives trying to find that again. Another bit I once read, again, I don't remember where from, spoke of how it is only through our connections with others that we find the true potential of our individual selves and of ourselves as a species.
I truly believe we were not meant to be so alone. But so many of us keep our thoughts and feelings private. The confines of our daily lives, of commuting, working, and maintaining a home life, don't provide much opportunity to share or connect. Is it any wonder then, that by the end of the day, or a week of day in and day out, we question the meaning of our lives?
I've been told that I wear my heart on my sleeve, that my thoughts and feelings are obvious. I don't see any point to keeping myself hidden behind a facade, either face to face, or in the written word. Life is too short, and the true connections we make are too rare to waste time basing anything on something false or shallow. Sometimes though, I think I am the only one that craves those sorts of meaningful connections. Even with the few close friends that I do have, I feel like there are limitations and conditions on what is shared, and I'm always looking for something deeper, more true, and more meaningful to begin.
I read something once, I don't remember from where, but it said that we are all born feeling the close connection of our mothers, and then spend the rest of our lives trying to find that again. Another bit I once read, again, I don't remember where from, spoke of how it is only through our connections with others that we find the true potential of our individual selves and of ourselves as a species.
I truly believe we were not meant to be so alone. But so many of us keep our thoughts and feelings private. The confines of our daily lives, of commuting, working, and maintaining a home life, don't provide much opportunity to share or connect. Is it any wonder then, that by the end of the day, or a week of day in and day out, we question the meaning of our lives?
Friday, November 7, 2008
Impressions
I wrote these back in January and March, but they still have some meaning for me, so I brought them with me to Blogger.
Impressions
Why do we get offended when someone we love is hurt by what we've said or done? It only hurts them more, and we become more offended by their reaction.
It strikes me not only how powerful a simple gesture of understanding can be, but how much more meaning can be attributed to it not being given.
After we argued you stopped looking me in the eye, and I knew something had dramatically changed. Suddenly the importance of everything that I had said seemed so trivial compared to the damage it had caused.
We were never really alone. Your partner and the knowledge that the week would end hung overhead like a storm cloud and followed us wherever we went. It felt like we were cheated of the private joy we could have otherwise shared, …if only I was able to shake that cloud. But the weather worsened as the week progressed, and it rained heavily on the day we parted. Your plane was delayed, and even though it was stormy, all I can think of is how much I wish I had been there with you for just that much longer.
California is not as warm as I thought it would be in January, but there are homeless people there not wearing any shoes.
In the states I got the distinct feeling that if I smiled at anyone over the age of eight and under the age of sixteen, I was under suspicion of being a pervert. The day I came home I walked my dog around the block and felt relieved when a young woman of about fourteen years smiled at me when we past by.
In San Francisco car owners must spend a lot of money on maintaining their emergency brakes. … I saw a woman wearing high heals, taking very small and nervous steps down a steep hill, she must have been from out of town. The more you lean forward and swing your arms, the easier it is to climb a steep hill.
The bus driver stopped the bus, got out of his seat, and crouched in front of an old homeless woman who had fallen asleep in a bedraggled and urine smelling heap, her cart rolling unattended back and forth across the isle. The driver paused for a moment, either to see if the woman was alive, or for effect it had on the watching passengers, and then in a very loud voice said “Boo!”
I was only away for a week, but when I returned we both noticed that the others hair had grown in my absence.
Thinking about how I really should put an effort into the relationship I have with the woman I am living with because I suddenly remembered how much pleasure I got when I use to be able to make her laugh, … completely vanishes when after I angered her she tells me how the two of us never really ever got along, how we were never meant to be together. It’s funny how a few words can have such an impact on the course of someone’s life. Never doubt the power of your words.
Sorting my laundry I smelled your scent on my cloths and remembered everything about how it felt to be in your arms.
Impressions
Why do we get offended when someone we love is hurt by what we've said or done? It only hurts them more, and we become more offended by their reaction.
It strikes me not only how powerful a simple gesture of understanding can be, but how much more meaning can be attributed to it not being given.
After we argued you stopped looking me in the eye, and I knew something had dramatically changed. Suddenly the importance of everything that I had said seemed so trivial compared to the damage it had caused.
We were never really alone. Your partner and the knowledge that the week would end hung overhead like a storm cloud and followed us wherever we went. It felt like we were cheated of the private joy we could have otherwise shared, …if only I was able to shake that cloud. But the weather worsened as the week progressed, and it rained heavily on the day we parted. Your plane was delayed, and even though it was stormy, all I can think of is how much I wish I had been there with you for just that much longer.
California is not as warm as I thought it would be in January, but there are homeless people there not wearing any shoes.
In the states I got the distinct feeling that if I smiled at anyone over the age of eight and under the age of sixteen, I was under suspicion of being a pervert. The day I came home I walked my dog around the block and felt relieved when a young woman of about fourteen years smiled at me when we past by.
In San Francisco car owners must spend a lot of money on maintaining their emergency brakes. … I saw a woman wearing high heals, taking very small and nervous steps down a steep hill, she must have been from out of town. The more you lean forward and swing your arms, the easier it is to climb a steep hill.
The bus driver stopped the bus, got out of his seat, and crouched in front of an old homeless woman who had fallen asleep in a bedraggled and urine smelling heap, her cart rolling unattended back and forth across the isle. The driver paused for a moment, either to see if the woman was alive, or for effect it had on the watching passengers, and then in a very loud voice said “Boo!”
I was only away for a week, but when I returned we both noticed that the others hair had grown in my absence.
Thinking about how I really should put an effort into the relationship I have with the woman I am living with because I suddenly remembered how much pleasure I got when I use to be able to make her laugh, … completely vanishes when after I angered her she tells me how the two of us never really ever got along, how we were never meant to be together. It’s funny how a few words can have such an impact on the course of someone’s life. Never doubt the power of your words.
Sorting my laundry I smelled your scent on my cloths and remembered everything about how it felt to be in your arms.
Thursday, November 6, 2008
So, what should I write?
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